King Lear Tragedy Essay Titles

The following paper topics are designed to test your understanding of the play as a whole and to analyze important themes and literary devices. Following each question is a sample outline to help get you started.

Topic #1
Shakespeare has woven the subplot into the main plot in King Lear to intensify the emotional effect of the tragedy. Write an essay analyzing the way in which the subplot parallels the main plot. Discuss the areas of father-child relationships, political power, and the deaths of the protagonists in the double plot.

Outline
I. Thesis Statement: The emotional effect is heightened in King Lear with Shakespeare’s use of a subplot that mirrors the father-child relationships, the corruption of political power, and the death of the protagonist in the main plot.

II. Parallels of father-child relationships
A. Lear’s daughter Cordelia parallels Gloucester’s son Edgar.
1. Both Cordelia and Edgar are loyal to their fathers to the end.
2. Cordelia is banished and Edgar is forced into hiding.
B. Lear’s daughters Goneril and Regan parallel Gloucester’s son Edmund.
1. Goneril and Regan flatter Lear just as Edmund deceives Gloucester.
2. Both Lear and Gloucester talk of the ingratitude of their children.
C. Lear and Gloucester are both blind to their children.
1. Lear is blind to Cordelia’s love and to Goneril and Regan’s ulterior motives.
2. Gloucester is blind to Edmund’s deceit and trickery.

III. Parallels of greed in political power
A. Goneril and Regan seek political power.
1. They strip the King of all his train of followers.
2. They reject the King’s title and turn him out into the storm.
B. Edmund has high political aspirations.
1. He allows Gloucester to be blinded for his own political gain.
2. He usurps Edgar’s legitimate title as the future Earl of Gloucester.
C. Kent and Edgar both lose their nobility.
1. The Earl of Kent is banished for his honest defense of Cordelia.
2. Edgar loses his claim to nobility through the deceit and trickery of Edmund.

IV. Parallels in the deaths of Lear and Gloucester
A. Both die in the presence of their loyal children.
1. Lear dies with Cordelia in his arms.
2. Gloucester dies after Edgar has revealed himself as the Duke’s son.
B. Lear and Gloucester both die in “extremes of passion.”
1. Lear dies of a broken heart. “Break heart, I prithee break!”
2. Gloucester’s “flaw’d heart” bursts of “joy and grief” after his reunion with Edgar.
C. Both die with renewed insight.
1. Gloucester needs to be blinded before he can see Edmund’s deceit and Edgar’s loyalty.
2. Lear needs to suffer the rejection of his older daughters before he can see Cordelia’s loyalty
3. Both find that the loss of title and position humbles them.

V. Conclusion: The subplot intensifies the emotional impact of the main plot in the areas of child-parent relationships, the corruption of political power, and the death of the protagonist.

Topic #2
Through suffering, King Lear is transformed from an arrogant, dictatorial king and father to a man who realizes the folly of his past life. Write an essay tracing the progress of his...

(The entire section is 1376 words.)

Tragic Figures in King Lear by William Shakespeare Essay

1332 Words6 Pages

Tragic Figures - Good/Evil in King Lear

King Lear, by William Shakespeare, is a tragic tale of filial conflict, personal transformation, and loss. The story revolves around the King who foolishly alienates his only truly devoted daughter and realizes too late the true nature of his other two daughters. A major subplot involves the illegitimate son of Gloucester, Edmund, who plans to discredit his brother Edgar and betray their father. With these and other major characters in the play, Shakespeare clearly asserts that human nature is either entirely good, or entirely evil. Some characters experience a transformative phase, where, by some trial or ordeal, their nature is profoundly changed. We shall examine Shakespeare's…show more content…

An impressive speech similar to her sisters' would have prevented much tragedy, but Shakespeare has tailored Cordelia's character in such a way that she could never consider such an act. Later in the play, Cordelia, now banished for her honesty, still loves her father and displays great compassion and grief for him in his suffering:

O my dear father, restoration hang

Thy medicine on my lips, and let this kiss

Repair those violent harms that my two sisters

Have in reverence made (IV, vii, 26-29).

Cordelia could be expected to display bitterness or even satisfaction at her father's plight, which was his own doing. However, she still loves him, and does not fault him for the injustice he did her. Clearly, Shakespeare has crafted Cordelia as a character whose nature is entirely good, unblemished by any trace of evil throughout the entire play.

As an example of one of the wholly evil characters in the play, we shall turn to the subplot of Edmund's betrayal of his father and brother. Edmund has devised a scheme to discredit his brother, Edgar, in the eyes of their father, Gloucester. Edmund is fully aware of the vileness of his own nature, and revels in it:

This is the excellent foppery of the world, that when we are sick in fortune, often the surfeits of our own behaviour, we make guilty of our disasters the sun, the moon, and stars; as if we were villains on necessity;

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